Graham Page is a British visual effects supervisor at Framestore London. He began working in visual effects at DNEG in 2006. Before that, he spent some time working in editorial on factual entertainment; he has described having always held a broad interest in filmmaking, from sound and music design to prop making.
At DNEG, Page worked his way up from roles such as 2D-compositing supervisor and compositing supervisor to full visual-effects supervisor, contributing to a wide range of high-profile films. His credits include major franchise and tentpole films such as Avengers: Infinity War, Avengers: Endgame, Captain Marvel, and Assassin's Creed.
In 2020, Page joined Framestore as a VFX supervisor, a move that followed 14 years at DNEG. At Framestore, he immediately took on lead responsibilities, notably in The Midnight Sky (2020), where he supervised high-end digital face replacements and oversaw the creation of a complex space sequence. More recently, he served as overall VFX supervisor on Wonka.
Page's work has been recognised by the Visual Effects Society (VES). He won a VES Award for Outstanding Created Environment in a Live Action Feature Motion Picture for Inception (2010), specifically for the "Paris Dreamscape" environment. He won again for Interstellar (2014), for Outstanding Created Environment in a Photoreal/Live Action Feature Motion Picture.
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Biography
Graham Page is a British visual effects supervisor at Framestore London. He began working in visual effects at DNEG in 2006. Before that, he spent some time working in editorial on factual entertainment; he has described having always held a broad interest in filmmaking, from sound and music design to prop making.
At DNEG, Page worked his way up from roles such as 2D-compositing supervisor and compositing supervisor to full visual-effects supervisor, contributing to a wide range of high-profile films. His credits include major franchise and tentpole films such as Avengers: Infinity War, Avengers: Endgame, Captain Marvel, and Assassin's Creed.
In 2020, Page joined Framestore as a VFX supervisor, a move that followed 14 years at DNEG. At Framestore, he immediately took on lead responsibilities, notably in The Midnight Sky (2020), where he supervised high-end digital face replacements and oversaw the creation of a complex space sequence. More recently, he served as overall VFX supervisor on Wonka.
Page's work has been recognised by the Visual Effects Society (VES). He won a VES Award for Outstanding Created Environment in a Live Action Feature Motion Picture for Inception (2010), specifically for the "Paris Dreamscape" environment. He won again for Interstellar (2014), for Outstanding Created Environment in a Photoreal/Live Action Feature Motion Picture.
