As a veteran finish colorist in post-production, his aesthetics and appreciation of the cinematographer's craft have allowed him to collaborate with filmmakers such as James Wan on "Aquaman" and "The Conjuring" universe of films. Those experiences on new films also honed his eye for color and expertise, entrusting him with historically vital restorations including "My Fair Lady", "The Sound of Music" and "Oklahoma", to name a few. Originally from Chicago, he moved to Toronto and sharpened his skills on look-driven, high-end auto, fashion, food, and sports campaigns, often heavy with multi-layered VFX. His success as a top commercial colorist in Toronto for broadcast television advertising led him to Los Angeles where he flourished in all aspects of color correction; from award-winning commercials to trailers, episodic television and feature films.
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Biography
As a veteran finish colorist in post-production, his aesthetics and appreciation of the cinematographer's craft have allowed him to collaborate with filmmakers such as James Wan on "Aquaman" and "The Conjuring" universe of films. Those experiences on new films also honed his eye for color and expertise, entrusting him with historically vital restorations including "My Fair Lady", "The Sound of Music" and "Oklahoma", to name a few. Originally from Chicago, he moved to Toronto and sharpened his skills on look-driven, high-end auto, fashion, food, and sports campaigns, often heavy with multi-layered VFX. His success as a top commercial colorist in Toronto for broadcast television advertising led him to Los Angeles where he flourished in all aspects of color correction; from award-winning commercials to trailers, episodic television and feature films.
