A 2012 graduate in sound engineering from ESCAC, she began her professional career as an effects editor with Oriol Tarragó at Coser y Cantar Estudio. Later, she debuted as a sound designer on the series ‘Sé quién eres’ and worked as a freelancer on film projects such as Albert Pintó’s ‘Malasaña 32’. In 2020, she moved to Madrid, where she worked as a sound designer on projects such as Javier Ambrossi and Javier Calvo’s ‘Veneno’, and Pedro Almodóvar’s ‘The Human Voice’ (2020) and ‘Madres paralelas’ (2021), the latter of which earned her a Goya nomination in 2022. That same year, she opened her own sound studio with Oriol Donat: from Lima Limón Estudio, she has worked on projects such as Albert Pintó’s ‘Nowhere’, Laura Jou’s ‘Caída libre’, and Celia Rico’s ‘La buena letra’.
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Biography
A 2012 graduate in sound engineering from ESCAC, she began her professional career as an effects editor with Oriol Tarragó at Coser y Cantar Estudio. Later, she debuted as a sound designer on the series ‘Sé quién eres’ and worked as a freelancer on film projects such as Albert Pintó’s ‘Malasaña 32’. In 2020, she moved to Madrid, where she worked as a sound designer on projects such as Javier Ambrossi and Javier Calvo’s ‘Veneno’, and Pedro Almodóvar’s ‘The Human Voice’ (2020) and ‘Madres paralelas’ (2021), the latter of which earned her a Goya nomination in 2022. That same year, she opened her own sound studio with Oriol Donat: from Lima Limón Estudio, she has worked on projects such as Albert Pintó’s ‘Nowhere’, Laura Jou’s ‘Caída libre’, and Celia Rico’s ‘La buena letra’.
