He is one of the most famous actors in the history of Macedonian theater. He has been part of the ensemble of the Macedonian National Theater for more than 30 years where he had more than 150 premieres, among which the most significant are: Demons directed by Vladimir Milchin; Crime and Punishment directed by Egon Savin; Happy New ’49 directed by Slobodan Unkovski; Dias Irae directed by Slobodan Unkovski; Julius Caesar directed by Ljubisha Georgievski; Power Cag directed by Saso Milenkovski; Government Inspector directed by Vladimir Milchin; The Glembaj’s directed by Ljubisha Georgievski. Lately He also took part in numerous independent and alternative projects among which: Mad Forest directed by Nina Nikolikj; Tito directed by Branko Brezovec; Sex, Lies and Wild Geese directed by Nina Nikolikj; The Other Side directed by Martin Kochovski; Picnic on the Front directed by Luca Cortina. The career of Petre Arsovski is also marked by an extensive number of movies (70 leading roles), TV films and TV serials.
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Biography
He is one of the most famous actors in the history of Macedonian theater. He has been part of the ensemble of the Macedonian National Theater for more than 30 years where he had more than 150 premieres, among which the most significant are: Demons directed by Vladimir Milchin; Crime and Punishment directed by Egon Savin; Happy New ’49 directed by Slobodan Unkovski; Dias Irae directed by Slobodan Unkovski; Julius Caesar directed by Ljubisha Georgievski; Power Cag directed by Saso Milenkovski; Government Inspector directed by Vladimir Milchin; The Glembaj’s directed by Ljubisha Georgievski. Lately He also took part in numerous independent and alternative projects among which: Mad Forest directed by Nina Nikolikj; Tito directed by Branko Brezovec; Sex, Lies and Wild Geese directed by Nina Nikolikj; The Other Side directed by Martin Kochovski; Picnic on the Front directed by Luca Cortina. The career of Petre Arsovski is also marked by an extensive number of movies (70 leading roles), TV films and TV serials.
